Tuesday, May 6, 2008

Knitting.



An old-time kitchen, an open door,
Sunshine lying across the floor;
A little maid, feet bare and brown,
Cheeks like roses, a cotton gown,
Rippling masses of shining hair,
And a childish forehead smooth and fair.
The child is knitting. The open door
Wooes her, tempts her, more and more.
The sky is cloudless, the air is sweet
And sadly restless the bare brown feet..
Still,' as she wishes her task were done,
She counts the rounds off, one by one.
Higher yet mounts the sun or June;
But one round more!___a joyous tune
Ripples out from the childish lips,
While swift and swifter the finger-tips
Play out and in, till I hear her say,
"Twenty rounds! I'm going to play!"
Up to the hedge where the sweet-brier blows,
Down to the bank where the brooklet flows,
Chasing the butterflies, watching the bees,
Wading in clover up to her knees,
Mocking the bobolinks; oh, what fun
It is to be free when the task is done!
Years and years have glided away.
The child is a woman, and threads of gray
One by one creep into her hair,
And I see the prints of the feet of care.
Yet I like to watch tier. To-night she sits
By her household fire, and as then she knits.
Swiftly the needles glance, and the thread
Glides through her fingers, white and red.
'Tis a baby's stocking. To and fro
And out and in as the needles go,
She sings as she sang that day in June,
But the low, soft strain is a nursery tune.
Closely beside her the baby lies,
Slowly closing his sleepy eyes.
Forward, backward, the cradle swings,
Touched by her foot as she softly sings.
And now in silence her watch she keeps;
The song is hushed, for the baby sleeps.
Up from the green, through the twilight gray,
Comes the shoats of a troop at play.
Blue eyes, black eyes, golden curls -
These are all hers___her boys and girls.
Then wonder not at the prints of care,
Or the silver threads in her braided hair.
Does she ever pine for the meadow brook,
The sweet-brier hedge, the clover nook?
When sweet winds woo, when smiles the sun,
Does she ever wish that her task was done?
Would you know? Then watch her where she sits
Smiling dreamily, while she knits.

Ellen P. Allerton 1835-1893

Sunday, May 4, 2008

In Love For Long

I've been in love for long
With what I cannot tell
And will contrive a song
For the intangible
That has no mould or shape,
From which there's no escape.

It is not even a name,
Yet is all constancy;
Tried or untried, the same,
It cannot part from me;
A breath, yet as still
As the established hill.

It is not any thing,
And yet all being is;
Being, being, being,
Its burden and its bliss.
How can I ever prove
What it is I love?

This happy happy love
Is sieged with crying sorrows,
Crushed beneath and above
Between todays and morrows;
A little paradise
Held in the world's vice.

And there it is content
And careless as a child,
And in imprisonment
Flourishes sweet and wild;
In wrong, beyond wrong,
All the world's day long.

This love a moment known
For what I do not know
And in a moment gone
Is like the happy doe
That keeps its perfect laws
Between the tiger's paws
And vindicates its cause.

Edwin Muir 1887 – 1959

Saturday, May 3, 2008

Spring Thunder




Listen, The wind is still,
And far away in the night --
See! The uplands fill
With a running light.

Open the doors. It is warm;
And where the sky was clear--
Look! The head of a storm
That marches here!

Come under the trembling hedge--
Fast, although you fumble...
There! Did you hear the edge
of winter crumble

Mark van Doren
(1894 - 1972)

Sheep by W. H. (William Henry) Davies



When I was once in Baltimore,
A man came up to me and cried,
"Come, I have eighteen hundred sheep,
And we will sail on Tuesday's tide.

"If you will sail with me, young man,
I'll pay you fifty shillings down;
These eighteen hundred sheep I take
From Baltimore to Glasgow town."

He paid me fifty shillings down,
I sailed with eighteen hundred sheep;
We soon had cleared the harbor's mouth,
We soon were in the salt sea deep.

The first night we were out at sea
Those sheep were quiet in their mind;
The second night they cried with fear--
They smelt no pastures in the wind.

They sniffed, poor things, for their green fields,
They cried so loud I could not sleep:
For fifty thousand shillings down
I would not sail again with sheep.

W. H. Davies 1871 -1940

History of the Ryeland Sheep

This is a really nice website on Ryeland sheep:
http://www.ryelandsheep.com/history2.html

Lament by Dylan Thomas

When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale tit,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of bitches),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.

When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!

When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.

Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!

Dylan Thomas 1914 - 1953

Thursday, May 1, 2008

Happy May Day




On May Day eve, folks once went into the woods to collect branches and "go a-Maying." In the morning, they would emerge and the men would bring a live hawthorn tree to the village to make a maypole. Everyone from the highest-ranking official to the lowest peasant participated in the celebration as equals. The holiday evolved and now May Day, which once represented the beginning of summer, life, fertility and renewal, is now celebrated in most countries as International Labor Day. The most common folk name we have for the Hawthorn is the May Tree. The may blossom appears on the tree at the beginning of May in the south of England, at the time of the Beltane or May Day celebrations, when people and houses were decked with may blossoms ("bringing home the May"). The popular rhyme "Here we go gathering nuts in May" is thought to have been sung by the young men, gathering not "nuts" (which do not grow in May) but "knots" of may blossoms for the May Day Celebrations. These celebrations included a May Queen, representing the Goddess, and a Green May, representing the God and the spirit of the new vegetation. It was known as the "Merry Month" and folk went about "wearing the green", decking themselves in greenery and may blossom. Everywhere, everything is bursting with life and fertility at this time, and Beltane is a celebration of this potential. The cutting of the may blossom had great significance and symbolised the beginning of new life and the onset of the growing season.



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