Sunday, October 31, 2010
Saturday, October 30, 2010
Culloden Moor
(Seen in Autumn Rain)
Full of grief, the low winds sweep
O'er the sorrow-haunted ground;
Dark the woods where night rains weep,
Dark the hills that watch around.
Tell me, can the joys of spring
Ever make this sadness flee,
Make the woods with music ring,
And the streamlet laugh for glee?
When the summer moor is lit
With the pale fire of the broom,
And through green the shadows flit,
Still shall mirth give place to gloom?
Sad shall it be, though sun be shed
Golden bright on field and flood;
E'en the heather's crimson red
Holds the memory of blood.
Here that broken, weary band
Met the ruthless foe's array,
Where those moss-grown boulders stand,
On that dark and fatal day.
Like a phantom hope had fled,
Love to death was all in vain,
Vain, though heroes' blood was shed,
And though hearts were broke in twain.
Many a voice has cursed the name
Time has into darkness thrust,
Cruelty his only fame
In forgetfulness and dust.
Noble dead that sleep below,
We your valour ne'er forget;
Soft the heroes' rest who know
Hearts like theirs are beating yet.
Full of grief, the low winds sweep
O'er the sorrow-haunted ground;
Dark the woods where night rains weep,
Dark the hills that watch around.
Tell me, can the joys of spring
Ever make this sadness flee,
Make the woods with music ring,
And the streamlet laugh for glee?
When the summer moor is lit
With the pale fire of the broom,
And through green the shadows flit,
Still shall mirth give place to gloom?
Sad shall it be, though sun be shed
Golden bright on field and flood;
E'en the heather's crimson red
Holds the memory of blood.
Here that broken, weary band
Met the ruthless foe's array,
Where those moss-grown boulders stand,
On that dark and fatal day.
Like a phantom hope had fled,
Love to death was all in vain,
Vain, though heroes' blood was shed,
And though hearts were broke in twain.
Many a voice has cursed the name
Time has into darkness thrust,
Cruelty his only fame
In forgetfulness and dust.
Noble dead that sleep below,
We your valour ne'er forget;
Soft the heroes' rest who know
Hearts like theirs are beating yet.
A couple shots of the Isle of Skye at Sundown

Skye or the Isle of Skye (Scottish Gaelic: An t-Eilean Sgitheanach or Eilean a' Cheò), is the largest and most northerly island in the Inner Hebrides of Scotland. The island's peninsulas radiate out from a mountainous centre dominated by the Cuillin hills. Although it has been suggested that the first of these Gaelic names describes a "winged" shape there is no definitive agreement as to the name's origins.
The island has been occupied since the mesolithic period and has a colourful history including a time of Norse rule and a long period of domination by Clan MacLeod and Clan Donald. The events of the 19th century had a devastating impact on the human population, which declined from over 20,000 to around 9,200 in the early 21st century. Nonetheless, in contrast to many other Scottish islands, this represents a 4 per cent increase from the census of 1991. The main industries are tourism, agriculture, fishing and whisky-distilling and the largest settlement is Portree, which is known for its picturesque harbour.
Skye is part of the Highland Council local government area and is now linked to the mainland by a road bridge. The island is renowned for its spectacular scenery, vibrant culture and heritage, and its abundant wildlife including the Golden Eagle, Red Deer and Atlantic Salmon.

Taken 10/30/10 by James Boyle on Skye
Labels:
hebrides,
Isle of Skye,
Jim Boyle,
October,
Scotland
True Colors
Filmed in the Immanuel presbyterian church, Los Angeles
As always there should be but one guide if you are a Christian. That would be love. We must first love our Gay and Lesbian brothers and sisters and with that will follow understanding. It really is that simple.
Immanuel is a unique church. It is 121 years old; yet considered cutting edge on most fronts. It is a community of faith; yet people here hold a broad range of faith perspectives. The church worships in Spanish and English and bilingually; yet that is not what makes it most diverse. Immanuel is made up of people who are rich
and poor, male and female, gay and straight; some of the members hold doctorates
and some haven't finished elementary school; some have Presbyterian backgrounds; others come from a Roman Catholic tradition, while still others come from another tradition or have no religious background. Immanuel is a unique church. The Church is 121 years old; yet is considered cutting edge on most fronts. It is a community of faith; yet people who attend hold a broad range of faith perspectives. Members were born in at least 25 different countries and speak many native languages. Immanuel is on the progressive side of the church, while maintaining spiritual roots and seeking spiritual connections in both traditional and innovative ways.
As always there should be but one guide if you are a Christian. That would be love. We must first love our Gay and Lesbian brothers and sisters and with that will follow understanding. It really is that simple.
Immanuel is a unique church. It is 121 years old; yet considered cutting edge on most fronts. It is a community of faith; yet people here hold a broad range of faith perspectives. The church worships in Spanish and English and bilingually; yet that is not what makes it most diverse. Immanuel is made up of people who are rich
and poor, male and female, gay and straight; some of the members hold doctorates
and some haven't finished elementary school; some have Presbyterian backgrounds; others come from a Roman Catholic tradition, while still others come from another tradition or have no religious background. Immanuel is a unique church. The Church is 121 years old; yet is considered cutting edge on most fronts. It is a community of faith; yet people who attend hold a broad range of faith perspectives. Members were born in at least 25 different countries and speak many native languages. Immanuel is on the progressive side of the church, while maintaining spiritual roots and seeking spiritual connections in both traditional and innovative ways.
Friday, October 29, 2010
The Raven: Read by Christopher Walken

The Raven
by Edgar Allan Poe
First Published in 1845
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door.
" 'Tis some visitor," I muttered, "tapping at my chamber door;
Only this, and nothing more."
Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; vainly I had sought to borrow
From my books surcease of sorrow, sorrow for the lost Lenore,.
For the rare and radiant maiden whom the angels name Lenore,
Nameless here forevermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me---filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
" 'Tis some visitor entreating entrance at my chamber door,
Some late visitor entreating entrance at my chamber door.
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or madam, truly your forgiveness I implore;
But the fact is, I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you." Here I opened wide the door;---
Darkness there, and nothing more.
Deep into the darkness peering, long I stood there, wondering, fearing
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word,
Lenore?, This I whispered, and an echo murmured back the word,
"Lenore!" Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping, something louder than before,
"Surely," said I, "surely, that is something at my window lattice.
Let me see, then, what thereat is, and this mystery explore.
Let my heart be still a moment, and this mystery explore.
" 'Tis the wind, and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven, of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But with mien of lord or lady, perched above my chamber door.
Perched upon a bust of Pallas, just above my chamber door,
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven thou," I said, "art sure no craven,
Ghastly, grim, and ancient raven, wandering from the nightly shore.
Tell me what the lordly name is on the Night's Plutonian shore."
Quoth the raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning, little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door,
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered; not a feather then he fluttered;
Till I scarcely more than muttered, "Other friends have flown before;
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master, whom unmerciful disaster
Followed fast and followed faster, till his songs one burden bore,---
Till the dirges of his hope that melancholy burden bore
Of "Never---nevermore."
But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
Thus I sat engaged in guessing, but no syllable expressing
To the fowl, whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee -- by these angels he hath
Sent thee respite---respite and nepenthe from thy memories of Lenore!
Quaff, O quaff this kind nepenthe, and forget this lost Lenore!"
Quoth the raven, "Nevermore!"
"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted--
On this home by horror haunted--tell me truly, I implore:
Is there--is there balm in Gilead?--tell me--tell me I implore!"
Quoth the raven, "Nevermore."
"Prophet!" said I, "thing of evil--prophet still, if bird or devil!
By that heaven that bends above us--by that God we both adore--
Tell this soul with sorrow laden, if, within the distant Aidenn,
It shall clasp a sainted maiden, whom the angels name Lenore---
Clasp a rare and radiant maiden, whom the angels name Lenore?
Quoth the raven, "Nevermore."
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the raven, "Nevermore."
And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming.
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted---nevermore!

This poem has long been a favorite of mine and my High School English teacher could recite it from memory. It was wonderful when he did. We all just sat spell bound when he did it for us. I hope you enjoyed this version done by Christopher Walken.
This is for You Peter Frank Smith
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