Monday, November 29, 2010
Sunday, November 28, 2010
Saturday, November 27, 2010
First Sunday in Advent

Advent (from the Latin word adventus meaning "coming") is a season observed in many Western Christian churches, a time of expectant waiting and preparation for the celebration of the Nativity of Jesus at Christmas. It is the beginning of the Western liturgical year and commences on Advent Sunday, called Levavi. The Eastern churches' equivalent of Advent is called the Nativity Fast, but it differs both in length and observances and does not begin the church year, which starts instead on September 1.
The progression of the season may be marked with an Advent calendar, a practice introduced by German Lutherans. At least in the Roman Catholic, Lutheran and Anglican calendars, Advent starts on the fourth Sunday before December 25, the Sunday from November 27 to December 3 inclusive.
Latin adventus is the translation of the Greek word parousia, commonly used in reference to the Second Coming of Christ. Christians believe that the season of Advent serves a reminder both of the original waiting that was done by the Hebrews for the birth of their Messiah as well as the waiting of Christians for Christ's return.
In the 5th Century Advent began on St Martin's Day -11th November and entailed a six week fast leading up to the Christmas celebrations. During the 6th Century, Advent was reduced to four weeks with no fasting.
Our ancestors used wreathes with lit candles during the dark December days as a sign of hope, as they looked forward to the winter solstice and the lengthening of the days, and the return of the life-giving sun.
Advent 2010 begins on the First Sunday in Advent, November 28, 2010.
Aileen Carr -This Is No' My Plaid (trad.)
This is a favorite song of mine sung here by Aileen Carr. The song is often said to be a Jacobite-era song. The lyrics are possibly coded speech about the exiled Charles Edward Stuart, better known as Bonnie Prince Charlie. After the 1745 Jacobite Uprising, much of the familiar trappings of Scottish culture were outlawed. To openly speak support for the Jacobite cause would have been folly, so this (and probably many other) songs were written to communicate love (that is, the love of a patriot, disguised as a romantic love in the song) for Bonnie Prince Charlie. The plaid is a symbol of the loss of an independent Scotland. After the 1707 Act of Union bound Scotland and England, many Scots were left feeling that their country was no longer their own. (...this is no ma plaid, bonnie though the colours be...)
MA PLAID (trad.)
This is no' my plaid, my plaid, my plaid
This is no' my palid, bonnie though the colour be
The ground o' mine was mixed wi' blue
I got it frae the lad I lo'e
He ne'er has gied me cause tae rue
And oh the plaid is dear to me
For mine was silky soft and warm
It wrapped me round frae arm tae arm
And like himself it bore a charm
And oh the plaid is dear to me
Although the lad the plaid wha wore
Is now upon a distant shore
And cruel seas between us roar
I'll mind the plaid that sheltered me
The lad that gie'd me it like me well
Although his name I duarna tell
He likes me just as weel's himself
And oh the plaid is dear to me
Oh may the plaidie yet be worn
By Caledonians still unborn
Ill fa' the wretch whae'er shall scorn
The plaidie that's sae dear tae me
Frae surly blasts it covers me
He'll me himself protection gie
I'll lo'e him 'till tha day I die
And oh the plaid is dear to me
I hope he'll no' forget me now
Each aften pledged aith and vow
I hope he'll yet return to woo me
In the plaid sea dear tae me
And may the day come soon my lad
When we will tae the kirk and wed
Weel happit in the tartan plaid
The plaidie that's sae dear to me
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
About Aileen Carr
Aileen is originally from Blairgowrie in Perthshire, and now lives in Auchtermuchty. She's been singing traditional songs since her teens - what else would you be doing coming from these places? During her long career she has sung by herself, with Coelbeg among others, and now with Palaver. Hers is the deep voice in Palaver's sound. Aileen has contributed tracks to a number of compilation albums.
The 1960's were exciting times for the folk revival in Scotland but it was hearing the likes of Belle Stewart at the 1967 Blairgowrie Festival that was a defining moment for Aileen - not to mention the day she was given, at teacher training college, a copy of Norman Buchan and Peter Hall's 1973 'Scottish Folksinger'. On her family moving to Goole in Yorkshire, Aileen became a floor singer at the South Cave folk club and at the Bluebell Club in Hull, where she met many performers such as Alison McMorland and Archie Fisher. In the 1970's she returned to Scotland and became a regular solo singer at St Andrews and other folk clubs, performing at Kinross Festival and throughout Britain and Ireland. During her long career she has sung by herself, with Coelbeg among others, and alongside Maureen Jelks and Chris Miles in the highly popular a capella group, Palaver
Aileen continues to sing solo, and over and above her clear, disciplined performances and her excellent, powerful singing voice, her most important attribute is the way she persistently searches out fresh and interesting material from both sung and printed sources, constantly researching texts, tunes and history. Although an eclectic singer in the true folk tradition, it is the great classical story ballads - especially Scottish - and their rich history that she enjoys most of all.
MA PLAID (trad.)
This is no' my plaid, my plaid, my plaid
This is no' my palid, bonnie though the colour be
The ground o' mine was mixed wi' blue
I got it frae the lad I lo'e
He ne'er has gied me cause tae rue
And oh the plaid is dear to me
For mine was silky soft and warm
It wrapped me round frae arm tae arm
And like himself it bore a charm
And oh the plaid is dear to me
Although the lad the plaid wha wore
Is now upon a distant shore
And cruel seas between us roar
I'll mind the plaid that sheltered me
The lad that gie'd me it like me well
Although his name I duarna tell
He likes me just as weel's himself
And oh the plaid is dear to me
Oh may the plaidie yet be worn
By Caledonians still unborn
Ill fa' the wretch whae'er shall scorn
The plaidie that's sae dear tae me
Frae surly blasts it covers me
He'll me himself protection gie
I'll lo'e him 'till tha day I die
And oh the plaid is dear to me
I hope he'll no' forget me now
Each aften pledged aith and vow
I hope he'll yet return to woo me
In the plaid sea dear tae me
And may the day come soon my lad
When we will tae the kirk and wed
Weel happit in the tartan plaid
The plaidie that's sae dear to me
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
About Aileen Carr
Aileen is originally from Blairgowrie in Perthshire, and now lives in Auchtermuchty. She's been singing traditional songs since her teens - what else would you be doing coming from these places? During her long career she has sung by herself, with Coelbeg among others, and now with Palaver. Hers is the deep voice in Palaver's sound. Aileen has contributed tracks to a number of compilation albums.
The 1960's were exciting times for the folk revival in Scotland but it was hearing the likes of Belle Stewart at the 1967 Blairgowrie Festival that was a defining moment for Aileen - not to mention the day she was given, at teacher training college, a copy of Norman Buchan and Peter Hall's 1973 'Scottish Folksinger'. On her family moving to Goole in Yorkshire, Aileen became a floor singer at the South Cave folk club and at the Bluebell Club in Hull, where she met many performers such as Alison McMorland and Archie Fisher. In the 1970's she returned to Scotland and became a regular solo singer at St Andrews and other folk clubs, performing at Kinross Festival and throughout Britain and Ireland. During her long career she has sung by herself, with Coelbeg among others, and alongside Maureen Jelks and Chris Miles in the highly popular a capella group, Palaver
Aileen continues to sing solo, and over and above her clear, disciplined performances and her excellent, powerful singing voice, her most important attribute is the way she persistently searches out fresh and interesting material from both sung and printed sources, constantly researching texts, tunes and history. Although an eclectic singer in the true folk tradition, it is the great classical story ballads - especially Scottish - and their rich history that she enjoys most of all.
Labels:
Aileen Carr,
Jacobite,
Scotland,
Scottish,
This Is No' My Plaid
Over the River and Through the Wood

Over the river, and through the wood,
To Grandmother's house we go;
The horse knows the way to carry the sleigh
through the white and drifted snow.
Over the river, and through the wood -
Oh, how the wind does blow!
It stings the toes and bites the nose
As over the ground we go.
Over the river, and through the wood,
To have a first-rate play.
Hear the bells ring, "Ting-a-ling-ding",
Hurrah for Thanksgiving Day!
Over the river, and through the wood
Trot fast, my dapple-gray!
Spring over the ground like a hunting-hound,
For this is Thanksgiving Day.
Over the river, and through the wood -
And straight through the barnyard gate,
We seem to go extremely slow,
It is so hard to wait!
Over the river, and through the wood -
Now Grandmother's cap I spy!
Hurrah for the fun! Is the pudding done?
Hurrah for the pumpkin pie!

This Thanksgiving song originally appeared as a poem written
by Lydia Maria Child in Flowers for Children,
volume 2, in 1844. Lydia Maria Child was a novelist,
journalist, teacher, and wrote extensively about the need to eliminate slavery.
This is the only version I could find other than one where the verses were changed and made into a Christmas song.
Friday, November 26, 2010
Thanksgiving
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